7.24.2010 - Brandi Carlile and The Indianapolis Symphony Orchestra
July 28, 2010
Connor Prairie
Fishers, IN
The Saturday night show for Brandi Carlile and the Indianapolis Symphony Orchestra might have been one of our biggest highlights of the year. The first time Erica and I saw Brandi was when she played with the Louisville Orchestra and it was simply amazing. And Saturday night, amidst the heat and threat of oncoming storms, Brandi did not disappoint us.
This was Brandi's second night of a 2 night engagement with the ISO at Conner Prairie. The first evening included a longer set and also an appearance by Tiffany Carlile (Brandi's sister) to sing "Calling All Angels." Also, Amy Ray from the Indigo Girls came down from Chicago to catch the Friday night show and was gracious to a few fans who recognized her.
But I digress…for anyone who hasn't been to Symphony on the Prairie before, what you must realize is that usually this is an event where people bring their kids, their wine, and their lawn chairs for a relaxing evening that just so happens to have music in the background. With this in mind, I'm not quite sure the usual symphony crowd had any clue about the sheer madness that can ensue at a BC show. It was fantastic.
The symphony took the stage and started playing "Sixty Years On," an Elton John/Bernie Taupin classic that originally featured a brilliant arrangement by Paul Buckmaster. Since Elton is one of Brandi's biggest influences, this was a perfect opener for this show and Brandi's strong, emotional vocals executed the song perfectly.
Brandi then brought out the rest of the band and launched into "Looking Out," which included some orchestra arrangements. It was so great to hear some of the songs from the "Give Up the Ghost" album with the symphony flare. Of course, Brandi and the band had the crowd (and even one of the guys in the violin section) dancing when they began "Closer To You," and then the Beatles' "I've Just Seen a Face".
Quick note: at the Symphony on the Prairie shows there is a little concrete section right in front of the stage, where normally people don't really stand because the sound isn't so great. Of course, with Brandi fans, the closer you can get, the better is normally their way of doing things. So, while we stood in the front for a while to snag some highly contraband pictures, we enjoyed being away from the stage to hear the fullness of the band and the orchestra.
"I Will" was a highlight for us with the symphony, simply because the song has such powerful lyrics and it just worked so perfectly with the full orchestra. Brandi and the band played "Caroline," which we have only seen one or two times, since the piano arrangement was played by Elton John on the album and the only person who has come close to nailing it live was Vienna Teng on the Cayamo cruise. But the band did it sans piano and I was certain that Phil (Hanseroth, the bass player) was going to smash the guitar as he was playing it because he plays with so much energy!
When the band began "Dreams," the group of fans called the "ATers" (for AgainToday.com, the unofficial fan community) treated Brandi and the entire crowd to a little choreography they came up with for the song.
One of my favorite moments of the symphony shows has been "Turpentine." At this point, Brandi tells the audience that they are going to split them up and teach everyone the 3 part harmony in one of the bridges of the song. She has Tim Hanseroth (guitar player extraordinaire) teach a part, Brandi teaches another, and Phil teaches the crowd the high part of the harmony, which always gets a laugh. The crowd then sings together and it is phenomenal…and as if it can't get any better, the build up to the chorus with the symphony playing gives me chills every time. It is amazing. Brandi even said that when she gets to do symphony shows that she sometimes forgets the words because she just loves to listen and forgets that she has to sing. We could understand why…
"The Story", my personal favorite Brandi song, again, sounded phenomenal paired with the symphony arrangement. Since the threat of the oncoming storm was among us, the set was shortened up with no "fake encore," as Brandi calls it. The band launched straight into "Jackson/Folsom Prison Blues" and had the crowd dancing away. At one point, I looked over to see an elderly couple dancing to the song and it warmed my heart.
Perhaps the most phenomenal part of the show and the part I was looking forward to the most was "Pride and Joy." On "Give Up the Ghost," this song is powerful and is a bit "rock-opera"-ish. It's dramatic and emotional…it needs a symphony to feel complete. And the ISO played it brilliantly.
To end the show, Brandi told the crowd that she knew this was a kid-friendly place, so she was trying to not swear. She wanted to end the show with a kid's song and played "Somewhere Over the Rainbow." It was like the perfect ending to a perfect movie.
This symphony show did not disappoint us at all and I think a lot of people that were not familiar with Brandi before the show, are now interested in her music and what she offers to the music world.
Note: Perhaps the only thing missing from the show was "Cello-tallica," a cello solo by Josh Neuman, but we would be treated to this on the next evening at the Kent show (that review is up next.)
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